It concerns me as a photographer when I see the numerous articles and ebooks about making cash from your camera. 8 Easy steps or 10 ways to turn those snapshots into cash. And, “Hi shutterbug here’s a foolproof way to turn those photos into dollars”. Or, earn $200-$400 per day from your camera. With all the resource boxes pointing to, you guessed it, books and cds that will help you make money from your camera or rather the authors make money from your purchase.

All of us who are photographers would love to make a regular income from the hobby or profession we love. None of us want to be told that it is difficult, it takes time and not many people make it. These dubious dealers give the impression that anyone can make money from their photos. Rubbish! If you take a look at the stock sites and see the quality of images for sale, you’ll realise that unless you are really talented you will never produce the quality that the buyers are looking for. Do yourself a favour. Do a search on the name of the ebook author who makes all of these claims using Google and then go to the major stock sites and do the same. Where are these authors making their money? From you! If it was so easy why don’t they have thousands of images on the stock sites? I rest my case.

Take a look at the guidelines for submission on the stock sites. Every last one of them requires a camera that takes a high resolution image. Some even state that they’ll only accept images taken on certain mid-range to high-end digital SLRs. Don’t even think that you will be able to compete with your compact camera. You stand no chance. Your images are just not big enough.

I have been on seminars given by successful stock photographers from the microstock sites and all them state that it is tough, demands long hours of work and takes a long time to make a reasonable income. Some never make it despite quality, dedication and a lot of effort. It is not a part-time money making machine as claimed by the ebook authors.

So what does it really take to make money from your camera, if it is at all possible for the amateur? You have to make a decision to dedicate yourself to your photography even if it is part-time. Carefully consider the following points:

1. Dedication to the art of photography

If you are not a dedicated photographer striving for excellence in your art there is no real money to be made. Sorry that’s the bottom line. There are so many talented artists producing high quality images that you do not stand a chance if you cannot compete in this field. You need to up your standards and create images that are very high quality.

2. Dedication to detail

Every detail in your image needs to be perfect. This is what the buyer is looking for. He doesn’t come along and say, “now which poor point-and-shooter can I help make money today”? When a buyer is planning to put a photo on a billboard every detail must be perfect. Examine your images and ask yourself, “Would I see this image in a magazine?”

3. Dedication to quality

99.9% of snapshots won’t make it past the stock site evaluators. Their standards are very high. Sharpness, great colours and perfect composition are just some of the factors you must take into consideration when planning to sell your images. You have to be a photographer, either a pro or dedicated amateur regularly looking at the quality of your images and pushing the limits. Look at the books and magazines and compare your photos. Do they compete? If the answer is yes then you are getting close. The ebooks say that there are millions of people looking for photos for the school and class assignments or projects who will buy your images. Get real! If they have the opportunity to buy an ordinary snapshot or a high quality image shot by a top photographer both selling for a dollar, which would they choose?

4. Dedication to discipline

Discipline is key to any hobby or vocation and especially so with photography. You need to be disciplined in your learning and improving your skills constantly. You need to be disciplined in your shooting and editing your images. And, you need to be disciplined in your submission of quality images to the stock libraries and photo sites. It’s a numbers game. The more quality content you have out in the market the more chance you have of buyers selecting your images. You cannot do it on a whim or when you feel motivated to do it. It is essential to have a commitment to the task and a disciplined overall process.

5. Dedicated to achieving results

If at first you don’t succeed try and try again. If at first you don’t get the results you desire don’t give up or try something else. Keep at it until you see results. It’s like the little green shoot popping its head above the soil or the tip of the iceberg. You are building the roots that will support the later growth of your business. If you don’t have a results driven motivation to see it to the end you will not achieve the success you set out to attain.

It’s a hard uphill road to success with photography. The photo world is competitive and saturated with good quality images. If you are to succeed you must break through the barrier from great to outstanding. You must stand head and shoulders above the rest in your quality and excellence.

Learning digital photography in our instant society is only possible by applying the basic principles of good photography. Digital is another tool and there is no real fast way of doing this. BUT… If you are prepared to follow these six quick photography principles you’re on the road to learning digital photography fast. And I really mean fast. So here goes.

1. Choose your subject carefully.

This is the centrepiece of your photo. Make sure you identify a suitable subject and focus on this. Not negotiable. If subject is not clearly identifiable your photo will be below average.

2. Place you subject intelligently.

Divide your image into thirds vertically and horizontally. Imagine 2 lines across and 2 lines down. Where these lines intersect place your subject on one of these points. If you have an horizon in the image, line it up with one of the 2 horizontal lines.

3. Get closer to your subject.

Most times the subject is what you want to remember about the scene you are recording. So get as much of it in your photo. This is especially so with family photos. Have smaller groups of people shot closer to the camera.

4. Exclude clutter from around your subject.

Make sure that there are no trees or telephone poles sticking out the top of you subject’s head. Unless you particularly want to remember the garbage can, bicycle, microwave or signboard, leave them out of the scene. Look for anything that you don’t want to see in 20 years when viewing the photos and exclude it.

5. Look at your subject from a different angle.

Shoot from up higher (above the subject) or lower (looking up at the subject). Find a different angle so that the image is unique a gives you a different more interesting aspect.

6. Change your viewpoint.

Most people stand in front of the subject and just shoot away. Move around looking through your viewfinder and find a different position that gives a more interesting shot. Experimenting is the key.

BONUS TIP

Finally here’s a bonus tip. Choose a subject you want to photograph and shoot it in 50 different ways. Shoot from high, low, the left, the right, directly above. Get in really close, turn you camera at an angle, hold the camera above your head. Change your viewpoint, walk away from the subject, lie on your back or lie on your stomach. It may sound a lot but when you try it you’ll see it’s possible. When you’ve finished, browse through all the images and you will be amazed at your ability. You will have found a new and different angle that will amaze your friends and family. Don’t worry about feeling stupid if you want to get that great shot. Follow these 6 basic photographic principles and your photos will improve dramatically and very fast. Within hours you friends will be complimenting you on your great images.

The world has gone digital crazy. With many homes having multiple digital camera owners you can’t move without seeing someone taking a digital snap. And the operative word here is a snapshot. Not much thought, creativity or photographic composition. Just lots and lots of digital pollution cramming the millions of hard drives, DVDs and memory cards. Digital has enabled people to take more low quality, thoughtless snapshots.

Digital photography could see the death of creativity in photography in general. Why such a harsh statement? Here’s why:

1. Lack of thought

As a film photographer the consumable costs of photography were much higher. This forced us to think and carefully consider each shot. There was a greater thought process. Using a motor drive for taking multiple shots was for the press photographers who could afford take thirty six images in a few seconds. For the rest of us we had to think more before pressing the button.

2. The Shakespeare effect

This is the evolutionary idea that if you give a roomful of monkeys a typewriter each and enough time, they will eventually produce a work equal in quality to Shakespeare. There is a similar mindset among digital photographers that if they shoot enough photos, somewhere amongst the thousands will be quality images. You have as much chance as that happening as a monkey.

3. Drive by shooting syndrome

This is similar to the lack of thought in taking a photo. Because of the multiple shot feature in digital cameras and the low cost of digital photography, it’s quick an easy to take an image. Just like a drive by shooting the camera is pointed in the general direction of the subject and a bunch of images is taken. Then you move on to the next target and fire away again. So what’s the answer? Plain and simple slow down, right down and smell the roses as the saying goes. The creative process is methodical and well thought out. You need to be able to observe, think and then take action. Because digital photography is so quick, cheap and easy the principles and techniques of photography tend to get sidelined.

Here are a few steps to encourage your creative process.

1. Make or allocate time for your creative process

Creativity won’t be hurried. At times it may come to you quickly but this is the exception rather than the norm. So sit down and absorb the environment. Observe your surroundings, subjects and any activity. Let it become a part of you.

2. Be selective

Find something that turns you or rather your creativity on. If this is colour then focus on the rich hues and shades. If it’s an object or subject observe it carefully in relation to it’s surroundings. Now close your eyes and picture the final image.

3. Change your position or viewpoint

By looking at your subject from different angles, heights or positions the image will change as the subject changes in relation to its environment. All of a sudden you see things you never would have seen.

4. Try something different.

Shoot a traditional tourist shot of your subject and then look for a shot that is completely different, one you’ve never seen before. Make it unrecognisable. Hire a boat and shoot from the the water. Go to the top of a nearby building or if you’re adventurous climb a tree or lie down on your back.

Creativity is often just doing something different. Something that hasn’t been done before. The key element that I have found to creativity is time. So take your time and smell the roses. Your photography will never be the same again. Put photography, creative photography back into digital photography.

If you’re new to photography then you probably have read or seen much of the continual debate amongst photographers on whether Canon is better than Nikon or vice versa. Canon and Nikon are the two leading brands of SLR cameras and are continually in a pitched battle to build a better digital camera. The competition is tight and victory in the race ebbs and flows towards both manufacturers every year new cameras cameras are launched.

Let’s get down to the bottom line. We have had enough of this debate and need to look at the reasons. I suppose it’s like whether a BMW is better than a Mercedes or a Lexus is better than an Audi. There will never be a definitive answer for as long as both manufacturers perpetuate the race. Some photographic forums have now banned any discussion around this debate. So why does the debate continue? Is it for the sake of debating or are there factors that need to be taken into consideration.

The following criteria will help you make a decision about which camera is best for you.

1. Personal preference

This is an important one. I admit to being a Canon user because the first camera my Dad gave me was a Canon. I fell in love with it and it became my companion. So I like Canon. I like the way it looks and I like the way it feels to hold. It’s just my personal choice and feeling about the camera when looking at it. Nothing else. The Nikon may be a better camera for all I care but Canon is the one for me. Plain and simple.

2. The Purpose

For what purpose are you going to be using your camera? The reason I include this as one of the criteria is you need to know what the predominant purpose will be be. Both camera manufacturers have a huge range of digital slrs and within those ranges some are better than others for particular purposes. And, that is just within their own brand. So when looking at both brands some will be better for particular purposes. For example you may need a camera that has a fast frame per second rate and writes fast to memory card. Within a particular bracket Nikon might be better in this area than Canon so Nikon would be the one to choose.

3. The Price Range

This is linked to the previous criterion. Within a particular price bracket the one camera may have more of the features you require. So with this price constraint in mind you may need to go for the cheaper range in order to get these features. So perhaps in this price range the better of the two cameras might be Canon.

4. The Conditions of Use

This is a very important one. If you are a traveller you may find that the Nikon in the range you are looking at is more rugged than the equivalent Canon although the Canon has some better features. You would choose Nikon rather Canon because it is more suited to travel. Other factors like dust and moisture seals and will determine which you choose based on the camera that has these features, if you will be using the camera in a more humid or dusty environment.

I don’t think the aim of any manufacturer is to build the perfect digital camera for all situations and conditions. I personally feel it would be impossible probably due to the costs involved. It boils down to the issue of personal choice which usually helps the camera manufacturer make more money. Better to sell two cameras that cover all the needs of a photographer than one.

My advice to anyone needing to make a decision about purchasing a Nikon or a Canon digital camera, is to look at all of these criteria and make a decision for your particular photographic needs. The brand of camera should be the last thing you take into consideration. If you do, you will quite likely find yourself limiting your choice based on preconceived ideas.

The first thing that any budding photographer needs to learn are the fundamentals of photography starting with the basics. Get these under your belt quickly and you have already won half the battle. So, what needs to happen to get you going as a beginner with your first digital camera? Let’s take a look at my top seven.

1. Equipment

It’s not all about equipment. Don’t go rushing out to buy expensive equipment without knowing what you need. A keen sales person will sell you as far as your wallet or credit card will take you. Wait until you know what you need and what you like and match these desires with the right equipment.

2. Decide on the type of shots you’d like to shoot

A good idea is to browse the internet photo galleries, look in magazines or visit your local library to get an idea of what type of photo you really like. Try it out with your camera and see if you are able to, or, want to persevere until you can. Once you’ve made a list plan to go out and shoot on a regular basis. It’s practise that makes perfect. Stick to it until you master your genre. Only then start looking for the equipment to match your area of interest.

3. Decide on a structured learning plan

Find out what you’d like to learn and what you need to learn in order to shoot the type of photos that interest you. For example, macro and nature photography is a more specialised art form and there are a number of techniques and skills to learn, as well as equipment you’ll need to buy. Research it on the internet, read books and if possible take a course on macro or close up photography.

4. Take photos often

If you are not regularly shooting images you are not going to grow in your skills and abilities. Set yourself assignments based on what you are studying. Of course, in a structured course you will be given assignments. A photo a day keeps the creativity flowing and helps you to keep motivated. I did an assignment once taking a 100 photos of the same subject from a host of different angles. It gave my photography an unexpected boost.

5. Learn your camera’s settings

Getting to know your camera is paramount if you want to learn to take great photos and the best way to do this is by reading your manual. Like I should be telling you this. I am the last one who reads a manual. But, if you do it in a structured way you’ll be amazed at how quickly you get to know your camera. The way I did it was to go through the manual highlighting everything I already knew about it. Then I went back through the manual reading up on each section I didn’t know, practising as I went along. Once I got to know it I was amazed at how much more I could do with my camera. The key is to experiment.

6. Keep your camera with you

Take every opportunity to get a great shot. Whenever you see something that would make a great photo, shoot it. I have often wished that I had taken my camera with me and got an amazing shot. If you don’t have it with you, you won’t get the shot.

7. Buy a tripod

Besides my camera, my tripod is the most important piece of kit in my equipment bag. There are shots you can only get if your camera is steady. The sharpness of your shots will improve dramatically. If the pros use them then why not the amateurs?

As you begin your photography journey, work at learning in a structured way so that the fundamentals of photography become second nature. Photography should be fun but your learning process needs to be serious. Happy shooting!

Yes, digital photography is dead in the water IF ‘photography’ is taken out of digital photography. As Kodak’s brownie box camera and their Instamatic brought photography to the masses in the 20th century, so the digital camera has done the same in the 21st. But, once the ‘ability to take photos novelty’ wears off, the lack of skills will relegate the digital camera to the hobby drawer.

There is a principle in management science that says in business a person is promoted to the level of their own incompetence and no further. It’s called the ‘Peter Principle’ formulated by Dr. Laurence J. Peter in his book of the same name. After that they stagnate and can only move sideways. This is true for photography also. Once you reach your level of incompetence or maximum ability, there you sit. It’s at this point the interest wanes and your camera outings become more and more infrequent. In other words, another death of digital photography.

There will always be the hardliners in any field who will continue to practise to the level of their incompetence, but, the average Joe who was once excited by digital photography is no more. The enthusiast has lost his enthusiasm.

So what’s the answer to the problem? The focus, as in any hobby or pastime, is a continual learning process. In the business world we call it upskilling. Adding competency and qualifications to your existing tool bag will keep you moving up the ladder of promotion. It is the same with photography. Learning is imperative.

Most of us are at some stage dissatisfied with our photos. They don’t quite look like those in the glossy magazines and daily newspapers. What is it that they have that rest don’t? They’ve learnt the techniques and disciplines of photography and have applied them on a continual learning journey to great photos.

A hobby, as with any plant or animal, has to be nurtured if it is to show any signs of growth. Buying a digital camera with the sole purpose of just snapping away without the high costs of film, will on most occasions result in the death of digital photography. If your digital photography is going to flourish it will need three key ingredients:

1. Time

As with anything of value in life time is a key ingredient to its success. Unless you take the time to invest in any venture you will probably reap an equivalent reward. Garbage in garbage out. No pain no gain as the old adage goes. There is no instant photography.

2. Passion

Unless you are enthusiastic about a hobby or pastime it is inevitable that it will gradually diminish with time and eventually fizzle out. I speak from experience. Developing your passion is essential to growth. Passion is the fuel that fires your hobby.

3. Ability

Some are born with natural ability but for most of us we have to work at it. Practise makes perfect. If you don’t have ability then acquire it in whatever way you legally can. Acquiring ability is a process and for many of us a journey of discovery. Something we have to work at.

Take any of these three points out of digital photography and its demise is well on the way. But, the key point is photography. Learning photography and acquiring creative photography skills will nurture digital photography and keep it alive.

Photography is not governed by the medium it uses, digital, film, pinhole or Polaroid. Photography stands alone and independent of the tools or media. As with beauty it’s in the eye of the beholder. It is not contained in a box, a camera or digital sensor. Its results can be seen on a computer, t-shirt or magazine.

Digital photography is the answer to photography because of its ease of use, methods of distribution and costs. But take photography out of digital and it will result in the death of digital photography.